En Vogue Webmaster
![[Busy computing... for you!]](https://www.bolsinga.com/comp.gif "[Busy computing... for you!]")
- Home
- Overview
-
Bands
-
1,762 Total
-
1,090 Live
-
-
Dates
-
905 Dates
-
1,832 Sets
-
- 198 Venues
-
Cities
-
36 Cities
-
8 States
-
- 15,319 Tracks
- 1,320 Albums
- Colophon
![[I come from a Punk Rock family.]](family.jpg "[I come from a Punk Rock family.]")
"Patron Eyes (Cocoon 2069)" by The Lavender Flu. Play Count: 1
Dan and I walked inside a little late after catching up outside. I became worried about how much of the set we'd missed, since I knew about 30 seconds in that I liked this band. They are a trio, and sometimes play small keyboards. Dan mentioned they are from Portland. The guitaist had a red Fender with hand painted flowers. He made great guitar sounds. They had a song that gave me Cure in 1979 vibes. Lots of jangly Clean vibes too (and Purling Hiss). Many of their songs were short and sweet. Except the last song was long. I bought their latest vinyl from the singer after the show. Orcutt Shelley Miller started soon thereafter; I think they used the same equipment. They removed the mics from the stage. Sometimes between songs, the bass player would just speak loudly and everyone could hear him. The crowd wasn't huge, but they filled the main area of the place. The crowd was mostly my age, and I was surprised it wasn't all dudes. The band was awesome. Great guitar sounds throughout. Bill sat on a chair for the whole set. My view was the opposite profile of him as is on "Music For Four Guitars". The bass player had a small Paul McCartney looking bass and stood to the side. Steve Shelley was awesome on drums. Bill broke a string at some point, and the rhythm section rocked a groove while he changed the string. Such a good jam. This is a great jam band! It was a great night with six guys with gray beards rocking out.
With things how they are, it is trying to talk about anything else. It's truly all a distraction until the next demoralizing step.
That said, I've been taking woodworking classes again. They have been fun. I've made a step stool and an awesome hinged box. Next up is a table for the fall semester.
I've also been doing work on the app that displays the shows I've seen. I'm about to get it hooked up to Shortcuts, which should be fun. The idea is that I can expose my app's data (ie the shows I've seen) to the rest of the OS. I can imagine some cool things once I get it done. #
Being September, it's once again time for Osees to tour through Portland. It was great that this time they booked two shows at a smaller venue. Both nights were sold out, and this first night was packed. When Mike and I arrived, there was a long line to the corner. The show was going to start right at 9 PM. The opener started while Mike was looking at the merch table. The first band DMBQ is a Japanese band, associated with Boredoms. The singer guitarist was wild, sometimes frothing at his mouth. The drummer was tall & intense. The bass player was small. This band rocked! He told a funny tidbit about how Japanese people in general like Portland. However he said that for him, it was just OK. This had people laughing. Just as they were done, Osees started setting up. They packed the front of the stage. Mike and I were on the floor, just in front of the stairs. It was all so good. As time went on, it got hotter and sweatier yet it was always loud throughout. Thank goodness I remembered my earplugs this time. For a bit, I went to the very front of the stage. I was right in front of the right side drummer's bass drum. You could feel the air moving so fast a foot away. I took some live photos up there. The phone could not handle the intensity of the sound and it blows out. Someday when the software engineer behind this site gets his act together, I'll share those images right here. Truth is, that Osees just put on an incredible show everytime. It was really fun to see them in a small space, so I could go up close for a short bit. They just impress, doing this so well, so hard, for so long.
Our neighbor Jordan had noticed my Touch and Go t-shirt. He asked if I knew Pegboy. I said I'd seen them back at the Touch and Go 25th. He was impressed and mentioned he had tickets to see them in a few months. He didn't know someone who would want to go. He knew the Touch and Go stuff, by way of Florida. We met up and had dinner beforehand. We just chatted about many things around music, and he was familiar with Hum and more. I sent him a link to Love Cup since he'd never heard of them. We eventually made it to the show, and we then learned it was going to start later than we thought. First up was The Shitfits. They were fun rockers. Amusement impressed me enough that I bought a CD at the show. Their music continuously sounds like something you've loved before, but not quite enough to recognize it. It has all the right feels for me, I guess. Pegboy came on, and the place was packed. So many fans! The singer was wearing a Liar's Club t-shirt. Much like the last time, he mentioned how old they were a few times. They'd planned to have a west coast tour last year, but he had a heart condition and canceled. He's better now, though he joked about how he had to rest between songs. He made it out into the crowd a few times, clearing loving every moment. It was a fun night out.
Jordan, our neighbor across the street, invited us to this all ages show. It was in an unused former wine warehouse. The evening started with a reading from a zine by the Rogue Writers Guild. Oscar sat quietly listening the entire time, which was nice. It was fun to attend a reading again; it's been so long. Jordan's band was already set up. We had gone outside to get some air (the venue required masks, which they kindly provided). They had a large xylophone (or vibraphone? since it seemed to be plugged in) that sounded great. It was fun to watch them play. They have been a band together for over 20 years. They reminded Rose and I of The Sea And Cake. Apparently the singer had been ill, and this was the first show back. It was a lot of fun. The music was calm & interesting and they were all great. It was Oscar's second concert, and we had attended both with our neighbors. It was late night for Oscar, so we left with what I assume were just a few more songs to go. We got home about 8:45 and Oscar was ready for bed. It was a fun family night out!
I visited Chicago for a long weekend to go to a Duelin' Firemen! reunion. The ultimately never released, fun-to-describe, square-detecting, never even played once game shot on film that became an online trailer that didn't quite predict the dystopian future, featuring underground heroes enduring as a slow burning internet sensation has now morphed into a choose your own adventure comic book. The book release party was held in Bridgeport at a place run by Ed who I can pretty much remember from my Champaign days. Many from the era were there and it was great to see people from 10, 20, and 30 years ago again. So much catching up commenced. After an introduction from RunAndGun's Tony, Grady, and Sandra, a new documentary short was shown about the history. There was also a tribute to those who are no longer with us. Then the two bands rocked the house from completely different angles. Vic Vacume And The Attachments are a big band in multiple dimensions. They were loud fast and fun. I was reminded of Didjits and others of their ilk. They and the crowd were all having a great time. Next up was the inexplicable Flying Luttenbachers. Loud crazy fast and incomprehensibly complex, they shredded from the ladders. Hard core jazz.
It was the second night out in a row for Mike, Dan, & I. None of us could remember the last time we did that. Dan was even going to go to the show again on Friday! Epic. So we knew the opener was Portland's own Gaytheist, but I didn't know anything about them. Just my assumptions. They are a three piece. The bassist has a very long beard and a shaved head. The drummer, front and center, seemed to have a tattoo on the side of his head. The singer / guitarist was wearing a gray suit, cufflinks, bow-tie, mustache, and horn-rimmed glasses. They walked out to a familar disco tune, whose name I just can't remember right now. The singer smiles and waves in a goofy way. He says that The Jesus Lizard are having local bands open for them on this tour. Towards the end of the set he said their next show was going to be at Kenton Club. He then kicked off the show and proceeded to shred. It was hard, fast, and fun. I couldn't quite make out the lyrics. It was so great, they really did win the crowd over. Sometime during the Jesus Lizard set, I saw the singer again out in the hall. I told him they rocked. He told me David Yow saw him when they got off stage. Yow said he looked like a high school principal. Once The Jesus Lizard were on stage, the lights stayed white and bright the whole time. David Yow stepped up to the mic and said "Steve Albini". Then the band launched into "Mouthbreather". Soon thereafter, at 64, David Yow jumped into the crowd. I think he was out about three times during the show. He only got near me once. They played so many hits, and lots off the new album. Another Yow announcement was "Repeat after me." "Trump!" "Sucks!" "Thank you" and the band goes right into the song. They did two encores tonight. At some point I decided to get as close to the front as possible. I figured I didn't know when the next time I nor The Jesus Lizard would be able to do this. So why not? I got jostled around but not too much. After I went back to my friends, the band had done "Blockbuster" and Yow acted out some of the lyrics and showed off his behind. The sound was great. The bass player's fingers move so fast. He still has the 100 mile stare, right from the edge of the stage. When I was up close, I could see his stage monitors were aimed at him from the sides. Presumably this would allow him to be even closer to the edge. No revelations here, but when you see them live you appreciate even more how the music is mostly bass and drums and Yow. Then the awesome guitar is comparatively sparse on top. Mike mentioned how Yow has a resemblance to Uncle Butch. I'd go see them again, just not the very next night! My body has been tired ever since, even three days later.
Awesome show! I went with Mike and Dan. Mike had never been to Revolution Hall! The opener is a woman who had a table full of electronics and contraptions. It was a noise set much like what Dan had invited me to at No Fun. However she took it all to the next level. She was a performer. She'd go into the audience with her instruments. She also had many physical and extreme poses while presenting her work. She'd stand on the table. She'd wrap a braided wire around her foot and pull it until she was doing standing splits. She had contact mics on her fingers to make the noise. She'd connect them with conductive things and magnets to make a whole bunch of sound. You could hear all the movements so loudly. Towards the end she was pulling a microphone comb through her hair. It was pretty awesome. You can get an idea of what she does on Evicshen's site. There was were I learned she made the comb. She ended her set with a crack of a bull whip. The Hard Quartet were terrific. They played probably all the released songs. They really seemed to all be having a fun time. Lots of smiles. They'd switch off who was playing bass or singing what seemed like every other song. It's always so interesting to watch people make music. It's something I wish I could do better. The drummer Jim White is fantastic to watch. He moves in such large and dynamic ways. He also holds his snare drum stick underhand style. Steve Malkmus alluded to having moved from Portland, and he gave a shout out to his dentist who he visited that day. They played straight through without an encore. I hope this band makes more music in the future. I'd like to see them again and hear new things from them.
I'll be headed to a party in Chicago for the Duelin' Firemen project. I worked on it for a short period of time. It was a hard development environment (to say the least). I also had a full time day job. The article alludes to the issue. Fortunately over the decades, I'd see two of the creators when I lived in San Francisco. I wound up with a story I can tell to others to this day. It gets people interested every time. I'm looking forward to it! #
I've been working harder than expected to make a nice database of all my iTunes/Music.app listening history. Database design and SQL are all new to me, even after all of these years of tinkering. I think I'm close to having a database designed and populated with my data soon. #
HTML, CSS, & JavaScript.